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THE CHORD ATLAS / MAJOR

A major piano chord

The A chord is built from A – C♯ – E. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the A major piano chord?

A major (A) is a major triad containing A, C♯ and E. Its interval formula is root, major third and perfect fifth.

What are the inversions of A?

A has 3 positions: root position (A–C♯–E), first inversion (C♯–E–A) and second inversion (E–A–C♯). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

A Major

Selected notes: A – C♯ – E

12-tone equal temperament
A major keyboard diagram showing A – C♯ – E
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore A across all voicings ↗

Root position: A · C♯ · E

Lowest note: A. Each higher note is placed above the previous one.

A major piano keyboard, root positionHighlighted piano keys: A · C♯ · E.C4AC5EC6
Learn the shape

How to play A on piano

First, find A, the root of this chord. Then add C♯, the major third. Add E to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes A distinctive?

A major is spelled A–C♯–E. Its single black-key third makes it easy to see and hear the exact semitone that separates A major from the all-white-key A minor triad.

How does A compare with a related chord?

Alternate A major (A–C♯–E) with A minor (A–C–E). A and E do not move; only the middle note changes. Then compare A major with F♯ minor (F♯–A–C♯), which shares A and C♯ instead.

A practice exercise for A

Keep A and E held softly, moving C♯ down to C natural and back as a listening drill. Next play F♯–A–C♯ and return to A major while keeping A and C♯ in place. Name which note moved in each change.

One mistake to avoid

The note between A and E must be C♯ in A major. C natural makes A minor, while calling C♯ 'D♭' conceals the chord's written third.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear A become Am

Alternate A–C♯–E with A–C–E. Hold the root and fifth as an anchor, then listen specifically to the middle voice. Which change is exactly one semitone?

Show the answer: which notes stay or move?

C♯ falls one semitone to C natural while A and E stay fixed. The root-position triads have the same outer notes but a different third: major A–C♯ versus minor A–C. This is a parallel-major/minor contrast.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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