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B-flat major piano chord

The B♭ chord is built from B♭ – D – F. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the B-flat major piano chord?

B-flat major (B♭) is a major triad containing B♭, D and F. Its interval formula is root, major third and perfect fifth.

What are the inversions of B♭?

B♭ has 3 positions: root position (B♭–D–F), first inversion (D–F–B♭) and second inversion (F–B♭–D). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

B♭ Major

Selected notes: B♭ – D – F

12-tone equal temperament
B-flat major keyboard diagram showing B♭ – D – F
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore B♭ across all voicings ↗

Root position: B♭ · D · F

Lowest note: B♭. Each higher note is placed above the previous one.

B-flat major piano keyboard, root positionHighlighted piano keys: B♭ · D · F.C4C5DFC6
Learn the shape

How to play B♭ on piano

First, find B♭, the root of this chord. Then add D, the major third. Add F to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes B♭ distinctive?

B♭ major is a common home chord in brass and wind repertoire. On piano it pairs two white keys, D and F, with the black-key root B♭.

How does B♭ compare with a related chord?

Compare it with G minor (G–B♭–D). The B♭ and D can stay in place while F moves to G, making it easy to hear their relationship.

A practice exercise for B♭

Find B♭ with your eyes closed, then locate D and F by their interval distances. Switch to G minor by keeping B♭ and D held.

One mistake to avoid

Write the root as B♭ in this chord, not A♯. Equal-tempered sound alone does not determine the correct chord spelling.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear B♭ become Gm

Listen to B♭–D–F and then G–B♭–D. Try singing the note that moves rather than singing the whole second chord.

Show the answer: which notes stay or move?

B♭ and D remain; F rises a whole step to G. The two chords are a relative-major/minor pair, but their roots are different.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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