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G minor piano chord

The Gm chord is built from G – B♭ – D. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the G minor piano chord?

G minor (Gm) is a minor triad containing G, B♭ and D. Its interval formula is root, minor third and perfect fifth.

What are the inversions of Gm?

Gm has 3 positions: root position (G–B♭–D), first inversion (B♭–D–G) and second inversion (D–G–B♭). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

Gm Minor

Selected notes: G – B♭ – D

12-tone equal temperament
G minor keyboard diagram showing G – B♭ – D
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore Gm across all voicings ↗

Root position: G · B♭ · D

Lowest note: G. Each higher note is placed above the previous one.

G minor piano keyboard, root positionHighlighted piano keys: G · B♭ · D.C4GC5DC6
Learn the shape

How to play Gm on piano

First, find G, the root of this chord. Then add B♭, the minor third. Add D to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes Gm distinctive?

G minor contains G–B♭–D. It uses one black key and two white keys, making it especially easy to compare visually with G major.

How does Gm compare with a related chord?

Switch from G minor to B♭ major (B♭–D–F). The B♭ and D remain; the G moves down to F.

A practice exercise for Gm

Play the G minor notes individually, then play B♭–D–F. Try changing with the smallest possible hand movement.

One mistake to avoid

The third is B♭, not B natural. A natural B makes G major instead.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear Gm become B♭

Listen to G–B♭–D and then B♭–D–F. Find the two tones shared by both chords before changing your hand shape.

Show the answer: which notes stay or move?

B♭ and D remain. G lowers a whole step to F, connecting G minor with its relative major, B♭.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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