PLAY · LISTEN · DISCOVER88 piano keys · 120 chords · Free
THE CHORD ATLAS / DOMINANT SEVENTH

G dominant seventh piano chord

The G7 chord is built from G – B – D – F. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

4 notes4 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the G dominant seventh piano chord?

G dominant seventh (G7) is a dominant seventh containing G, B, D and F. Its interval formula is root, major third, perfect fifth and minor seventh.

What are the inversions of G7?

G7 has 4 positions: root position (G–B–D–F), first inversion (B–D–F–G), second inversion (D–F–G–B) and third inversion (F–G–B–D). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

G7 Dominant seventh

Selected notes: G – B – D – F

12-tone equal temperament
G dominant seventh keyboard diagram showing G – B – D – F
↓ Save SVG
Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore G7 across all voicings ↗

Root position: G · B · D · F

Lowest note: G. Each higher note is placed above the previous one.

G dominant seventh piano keyboard, root positionHighlighted piano keys: G · B · D · F.C4GBC5DFC6
Learn the shape

How to play G7 on piano

First, find G, the root of this chord. Then add B, the major third. Add D to complete the triad. The fourth note, F, is a minor seventh above the root.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes G7 distinctive?

G7 (G–B–D–F) is the dominant seventh built on G. The B–F interval forms a tritone whose notes commonly resolve by semitone to C and E when the harmony moves to C major. It is different from Gmaj7, which would use F♯.

How does G7 compare with a related chord?

Compare G7 with G major (G–B–D) to hear the added F. Then compare G7 with Cmaj7 (C–E–G–B): G and B remain common tones, while F moves to E and D can move to C. This is the clear V7–Imaj7 move in C major.

A practice exercise for G7

Play G–B–D, add F, then stop on Cmaj7 (C–E–G–B) for four beats. Try a reduced G7 shell of B and F; move B up to C and F down to E. Finally practise the full Dm7–G7–Cmaj7 cadence at 60 BPM before speeding up.

One mistake to avoid

G7 means G–B–D–F, not G–B–D–F♯. The latter is Gmaj7. Do not interpret the plain '7' symbol as a major seventh.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear G7 become Cmaj7

Play G7 (G–B–D–F), then Cmaj7 (C–E–G–B). Isolate F and B as the tense pair before resolving; keep G and B where possible for a smoother transition.

Show the answer: which notes stay or move?

G and B are shared. Move F down one semitone to E and D down one whole step to C. The G7 tritone B–F can resolve by semitone to C–E in other voicings; this exact G7-to-Cmaj7 change also retains B as a common tone.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

Keep exploring

Related piano chords