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G major piano chord

The G chord is built from G – B – D. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
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What notes are in the G major piano chord?

G major (G) is a major triad containing G, B and D. Its interval formula is root, major third and perfect fifth.

What are the inversions of G?

G has 3 positions: root position (G–B–D), first inversion (B–D–G) and second inversion (D–G–B). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

G Major

Selected notes: G – B – D

12-tone equal temperament
G major keyboard diagram showing G – B – D
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore G across all voicings ↗

Root position: G · B · D

Lowest note: G. Each higher note is placed above the previous one.

G major piano keyboard, root positionHighlighted piano keys: G · B · D.C4GBC5DC6
Learn the shape

How to play G on piano

First, find G, the root of this chord. Then add B, the major third. Add D to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes G distinctive?

G major is spelled G–B–D. It is a practical first chord for noticing how the black-key-free triad sits around the higher C octave.

How does G compare with a related chord?

Em (E–G–B) shares G and B with G major. The D of G major can move to E for a simple chord change.

A practice exercise for G

Play G–B–D and E–G–B using as few moving notes as possible, then try the first inversion of each.

One mistake to avoid

The middle note B is natural, not B♭. Lowering it by a semitone creates the distinctly different G minor chord.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear G become Em

Listen to G–B–D and E–G–B. Try to keep the G–B interval physically in place as you make the change.

Show the answer: which notes stay or move?

G and B remain. D rises one whole step to E; the new chord is E minor, not a different inversion of G major.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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