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E minor piano chord

The Em chord is built from E – G – B. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
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What notes are in the E minor piano chord?

E minor (Em) is a minor triad containing E, G and B. Its interval formula is root, minor third and perfect fifth.

What are the inversions of Em?

Em has 3 positions: root position (E–G–B), first inversion (G–B–E) and second inversion (B–E–G). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

Em Minor

Selected notes: E – G – B

12-tone equal temperament
E minor keyboard diagram showing E – G – B
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore Em across all voicings ↗

Root position: E · G · B

Lowest note: E. Each higher note is placed above the previous one.

E minor piano keyboard, root positionHighlighted piano keys: E · G · B.C4EGBC5C6
Learn the shape

How to play Em on piano

First, find E, the root of this chord. Then add G, the minor third. Add B to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes Em distinctive?

E minor is a compact white-key shape: E, G and B. The minor third, G, creates the characteristic darker quality.

How does Em compare with a related chord?

Try E minor followed by G major (G–B–D). Keeping G and B in place makes the relationship immediately audible.

A practice exercise for Em

Play E–G–B, then G–B–D. Move only E to D, and listen before looking down at the keys.

One mistake to avoid

Do not raise G to G♯ unless you want E major. The two chords share their root and fifth but not their third.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear Em become G

Alternate E–G–B and G–B–D. Listen to the voice that changes while the other two stay under your fingers.

Show the answer: which notes stay or move?

G and B stay in place. E drops a whole step to D. This is an easy relative-minor/major hand shift.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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