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E-flat major piano chord

The E♭ chord is built from E♭ – G – B♭. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the E-flat major piano chord?

E-flat major (E♭) is a major triad containing E♭, G and B♭. Its interval formula is root, major third and perfect fifth.

What are the inversions of E♭?

E♭ has 3 positions: root position (E♭–G–B♭), first inversion (G–B♭–E♭) and second inversion (B♭–E♭–G). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

E♭ Major

Selected notes: E♭ – G – B♭

12-tone equal temperament
E-flat major keyboard diagram showing E♭ – G – B♭
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore E♭ across all voicings ↗

Root position: E♭ · G · B♭

Lowest note: E♭. Each higher note is placed above the previous one.

E-flat major piano keyboard, root positionHighlighted piano keys: E♭ · G · B♭.C4GC5C6
Learn the shape

How to play E♭ on piano

First, find E♭, the root of this chord. Then add G, the major third. Add B♭ to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes E♭ distinctive?

E♭ major is spelled E♭–G–B♭. It is often easier to remember by finding G first and locating the two nearby black keys.

How does E♭ compare with a related chord?

C minor (C–E♭–G) shares E♭ and G with E♭ major. The B♭ of E♭ major can move to C for a smooth change.

A practice exercise for E♭

Play E♭–G–B♭, then change to C–E♭–G. Hear the shared E♭ and G while the bass moves.

One mistake to avoid

Use E♭ and B♭ in the note names; calling them D♯ and A♯ would hide the stacked-third structure.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear E♭ become Cm

Play E♭–G–B♭ and then C–E♭–G. Try keeping the middle pair of notes under the same fingers.

Show the answer: which notes stay or move?

E♭ and G are shared while B♭ rises a whole step to C. Notice that the new bass can be C even if your hand keeps E♭ and G above it.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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