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THE CHORD ATLAS / DOMINANT SEVENTH

C dominant seventh piano chord

The C7 chord is built from C – E – G – B♭. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

4 notes4 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the C dominant seventh piano chord?

C dominant seventh (C7) is a dominant seventh containing C, E, G and B♭. Its interval formula is root, major third, perfect fifth and minor seventh.

What are the inversions of C7?

C7 has 4 positions: root position (C–E–G–B♭), first inversion (E–G–B♭–C), second inversion (G–B♭–C–E) and third inversion (B♭–C–E–G). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

C7 Dominant seventh

Selected notes: C – E – G – B♭

12-tone equal temperament
C dominant seventh keyboard diagram showing C – E – G – B♭
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore C7 across all voicings ↗

Root position: C · E · G · B♭

Lowest note: C. Each higher note is placed above the previous one.

C dominant seventh piano keyboard, root positionHighlighted piano keys: C · E · G · B♭.CC4EGC5C6
Learn the shape

How to play C7 on piano

First, find C, the root of this chord. Then add E, the major third. Add G to complete the triad. The fourth note, B♭, is a minor seventh above the root.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes C7 distinctive?

C7 is a dominant seventh chord, not a major seventh. It is built from the C major triad plus B♭, a minor seventh above C.

How does C7 compare with a related chord?

Compare C7 with C major (C–E–G). Add and remove B♭ without moving the other three notes to hear the new tension.

A practice exercise for C7

Play C–E–G, then add B♭ slowly. Listen for the stronger desire to move onward to another chord.

One mistake to avoid

C7 uses B♭, while Cmaj7 uses B natural. Do not use those names interchangeably.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear C7 become F

Hear C–E–G–B♭, then F–A–C. Listen especially to the dissonance between E and B♭ and how it relaxes when F major arrives.

Show the answer: which notes stay or move?

The tritone E–B♭ in C7 resolves by contrary semitone motion to F–A: E goes up to F and B♭ goes down to A. C can stay as a common tone; G may be released or redistributed.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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