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G-sharp minor piano chord

The G♯m chord is built from G♯ – B – D♯. See the exact keys, hear how they sound together, and explore how the chord changes when you move its lowest note.

3 notes3 voicingsFree to play & print
QUICK REFERENCE · EXACT NOTES

What notes are in the G-sharp minor piano chord?

G-sharp minor (G♯m) is a minor triad containing G♯, B and D♯. Its interval formula is root, minor third and perfect fifth.

What are the inversions of G♯m?

G♯m has 3 positions: root position (G♯–B–D♯), first inversion (B–D♯–G♯) and second inversion (D♯–G♯–B). Each inversion contains the same chord tones but puts a different note in the bass.

These are reference note spellings in twelve-tone equal temperament, not fixed fingerings. See the keys, hear each voicing, or learn chord spelling.

Interactive keyboard

G♯m Minor

Selected notes: G♯ – B – D♯

12-tone equal temperament
G-sharp minor keyboard diagram showing G♯ – B – D♯
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Change the bass

Explore the inversions

All inversions use the same pitch classes. Moving the bottom note up an octave changes the voicing, not the chord identity.

Explore G♯m across all voicings ↗

Root position: G♯ · B · D♯

Lowest note: G♯. Each higher note is placed above the previous one.

G-sharp minor piano keyboard, root positionHighlighted piano keys: G♯ · B · D♯.C4BC5C6
Learn the shape

How to play G♯m on piano

First, find G♯, the root of this chord. Then add B, the minor third. Add D♯ to complete the triad.

Play the notes together to hear the harmony, or one at a time to hear how the intervals form the chord. Start at a comfortable octave; the diagram shows one reference voicing, not the only valid place to play it.

What makes G♯m distinctive?

G♯ minor (G♯–B–D♯) has a white-key third between two black-key chord tones. It connects naturally to B major while retaining the correctly spelled minor third B above G♯.

How does G♯m compare with a related chord?

Compare G♯ minor with B major (B–D♯–F♯). B and D♯ stay in both chords. Moving G♯ down to F♯ creates B major; reversing that movement returns to the relative-minor harmony.

A practice exercise for G♯m

Find G♯ immediately above G, then locate B and D♯. Play the notes individually, then together. Hold B and D♯ steady while alternating the remaining note between G♯ for G♯ minor and F♯ for B major.

One mistake to avoid

The third of G♯ minor is B natural, not B♯; B♯ would make the major triad. Do not substitute the enharmonic A♭ minor spelling without explaining why it looks different.

Finger numbers depend on your hand size, octave and musical context; there isn't one universally correct fingering for every voicing.

A TWO-CHORD EAR-TRAINING CHALLENGE

Hear G♯m become B

Start on G♯–B–D♯ and move to B–D♯–F♯. Look for the B and D♯ that occur in both chords, then sing the single moving voice.

Show the answer: which notes stay or move?

B and D♯ are common tones. The remaining G♯ descends one whole step to F♯, producing B major. Position B in the bass if you want the second chord to sound in root position.

Play each button after the previous sound fades. The exercise checks your listening; it does not record or score your performance.

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